"Some Enchanted Evening"

I know there are you naysayers who didn't particularly care for this production, better yet, for this musical entirely. I found this clip on BlueGobo tonight and had to share this swoon worthy coupling of 2008 Tony winner Paulo Szot and Kelli O'Hara, here singing the first "Some Enchanted Evening" reprise, which appears in the show proper between "I'm Gonna Wash That Man" and "A Wonderful Guy." My only complaint is the pesky TV direction by those people at "The View." One shot through the harp is good enough, thank you. Just let the camera focus on the performers.

Just Another Reason to Love Donna Murphy

What About Joan? Does anyone remember this sitcom vehicle for Joan Cusack from 2001? It aired on ABC for a very short-lived period of time. The show presented Cusack as her usual neurotic self, with a boyfriend of six weeks (played by Kyle Chandler) proposing marriage and the hijinks that follow. As in most sitcoms, there is a central core of friends lending moral and comic support to the leading character. Your lovable diva and mine, Donna Murphy, played Dr. Ruby Stern, a sassy psychiatrist dealing with her own neuroses. (Trivia: the sitcom was produced in Chicago so Cusack could remain close to her family. Deanna Dunagan was a guest actress on one of the show's episodes - not this one).

For the show itself? The ratings started out strong, but the show was slashed early in its second season when ABC decided to revamp its entire programming, ridding itself of Joan and Bob Patterson and causing the woefully premature demise of the great Denis Leary sitcom The Job.

The description of the episode is as follows (courtesy of TV.com):

Sensing that Jake is in a "funk," Joan encourages him to get some professional counseling, a la Dr. Ruby Stern. Against his better judgment, he agrees to go and talk to Ruby, although it feels strange to divulge his most intimate thoughts to Joan's best friend. During their session, it's Ruby who has a breakthrough, realizing that somehow along the way, she never pursued her first love of singing, for fear that she would fail. Concerned that she would never be the best, she never tried. In an effort to push Ruby past the point of fear, Joan sets up an opportunity for her to perform at an open mic club.

Well here is Donna Murphy taking on the classic "Hit Me With a Hot Note." Also note, her pianist? That's none other than Grey Gardens composer Scott Frankel. Enjoy...

As the regulars are well aware, I've been toying with the design on the site. I felt a change was needed so I settled on this - for now. I may tweak things here and there as I try to become more blog literate in the ways of design, etc.

"On Broadway!" A Glittering Salute to the American Musical"

Any event which promises an appearance by Angela Lansbury has got to be okay in my book. She's hosting the following gala which will honor Brian Heidtke and Tommy Tune this October. Sounds very interesting, no?

Rolex presents “ON BROADWAY! A Glittering Salute To The American Musical”- Career Transition For Dancers’, 23^rd Anniversary Jubilee on Monday, October 27 at 7pm at New York City Center, 131 West 55 Street (bet. 7 & 6 Aves). Two of the honorees for the Gala are Brian Heidtke and Tommy Tune. Multi award-winning actress Angela Lansbury will host the Gala, which will be followed by an Anniversary Supper with the Stars at Hilton New York’s Grand Ballroom. “ON BROADWAY! A Glittering Salute to the American Musical”, is a glorious historical journey inside the Broadway musical seen through the eyes of legendary choreographers. The Gala will be the entertainment-dance event of the new season; accompanied by the Jubilee Orchestra with appearances by dance companies, dancers, stars and many surprises. It is produced and directed by Ann Marie DeAngelo.

“We are pleased to present the Rolex Dance Award to Tommy Tune, the most illustrious choreographer, dancer, singer and director of our time. This winner of nine Tony Awards and The National Medal of Arts is not only dedicated to the art of dance, but also to supporting the mission of Career Transition For Dancers. We are pleased to celebrate his legendary career and many contributions to the world of dance,” said Allen Brill, President and CEO of Rolex Watch USA.

Tommy Tune is the recipient of an unprecedented nine Tony Awards in 4 different categories plus, among other accolades, 8 Drama Desk Awards, 2 Obie Awards, 2 Astaire Awards, American Dance Award, Drama League Award, and the George Abbott Award for Lifetime Achievement. Tommy first danced onto Broadway in the chorus of “Baker Street”, followed by “A Joyful Noise”, “How Now Dow Jones” and “Seesaw” (1^st Tony). He directed “The Club” then on to B’way, as choreographer and co-director on “The Best Little Whorehouse in Texas” followed by “A Day in Hollywood/A Night in the Ukraine” (Tony). Other shows are “Cloud 9”; “Nine, The Musical” (Tony). A double Tony Award win for “My One and Only”. “Grand Hotel” followed with 2 more Tony wins; and the following year Mr. Tune did what no artist had done before when he won the same two prestigious honors back to back for “The Will Rogers Follies”. Tommy returned to perform his one-man song and dance show, “Tommy Tune Tonight!” Tune has sung and danced for three U.S. Presidents, the Queen of England and the Royal Family of Monaco. He was inducted into the Broadway's Theatre Hall of Fame, and has his own star on the Hollywood Walk of Fame.

Brian Heidtke will receive the Career Transition For Dancers' Award for Outstanding Contributions to the World of Dance. He has been an active member of the dance community for years, serving both as board trustee and as a financial supporter. He is the Vice President and Treasurer of ABT and chairs its education committee. He is also the recipient of the Lucia Chase Award. He has been an active supporter of the international ballet competition Youth America Grand Prix and of the Kaatsbaan International Dance Center. Formerly the Vice President, Finance and Corporate Treasurer of Colgate-Palmolive Company, he is the Chair of the National Association of Corporate Treasurers and a board member of the Williams Capital Management Trust.

Career Transition For Dancers, with offices in New York City and Los Angeles, has helped thousands of professional dancers identify their unique talents in preparation for establishing new careers when dance is no longer an option. Since 1985, they have provided more than 38,000 hrs (equivalent to $4 million) of one-on-one career counseling and program services (at no cost) and has awarded millions of dollars in scholarships for education and grants. CTFD also provides dancers with specialized services that include seminars and workshops, peer support groups, resource centers, a toll-free national hotline, and National Networking Directory. The Caroline & Theodore Newhouse Center for Dancers is at 165 West 46^th Street Suite 701 (at Broadway – the Actors’ Equity Building) NYC. CTFD’s phone number is (212) 764-0172 and the fax is (212) 764-0343 and in Los Angeles (323) 549-6660. www.careertransition.org

Gala tickets are $600, $750 & $1,200 each, which include the performance and a post-performance ‘Anniversary Supper with the Stars’, auction and dancing. Sponsorships, tables and journals ads are also available. For gala tickets call Marjorie Horne of McEvoy & Assocs. at (212) 228-7446 x33 and for Group Sales (718) 499-9691. Show only tickets are $130, $75, $55 and $45.

Let us hope this lunacy is just a trend...

An article at Playbill discusses an alarming problem that is fast becoming the latest headache for the house staff at Broadway theatres: text messaging. Now, I think the text message is an excellent way of communicating in a situation in which talking on the phone isn't a viable option. However, it is made especially clear by the house management prior to the show either usually in the form of an announcement or in some cases an insert in the Pllaybill for audience members to turn off all electronic devices. Considering there is a law against the use of cell phones in theatres, one might assume this would fall under the ban. Most shocking is the item about Jake Gyllenhaal and Reese Witherspoon at a matinee of August: Osage County. If you're only going to attend one act (especially when you think they probably received comp tickets) and spend the entire time on your blackberry, why bother coming at all? There are other people who could use the ticket, who would want to be engaged. It was also recently reported on the message boards about the incident at Gypsy last weekend where a teenager in the second row spent the entire first act texting to the increasingly unhinging frustration of Patti LuPone, who eventually wouldn't re-enter the show in the second act until the girl was relocated or removed.

There was a time with one of my older cell phones, I would even remove the battery for the duration, just in case it accidentally turned on during the performance. Paranoid as I might be, I occasionally double or triple check the phone during a show to make sure it is off, even though I know I shut it down prior to the curtain. There's always intermission people!!

In the words of your friend and mine, Mattie Fae Aiken, "Just...show a little class!!"