Auntie Maim

Blessed Mother of Maude Adams, what fresh hell is this?

From Variety:

'[Director Luca] Guadagnino said he and Swinton aspire to remake "Auntie Mame" as a "rock-n-roll, super funny, super mainstream movie."

They would set their "Mame," which is about a boy growing up as ward of his dead father's eccentric sister, in the present-day.

"This is an SOS for Warner Bros. to give us the rights for this remake, which only Tilda could do justice to," he added.'

You know I have nothing against a revival of Auntie Mame and/or Mame. Or even a filmed remake of either property. However, this isn't exactly how I pictured a re-emergence of the timeless character. In any incarnation, Mame is a period piece, and continues to work well in said period. Her effusive spirit is something that comes out of the Roaring Twenties, survives the Crash of '29 and continues into the Big Band Era: living life to the fullest and fighting the Establishment and stuffy provincial bigots along the way.

Elements of Auntie Mame could work today, but I hardly consider her "rock-n-roll." Mame Dennis Burnside is more than a character, she's a force of life. A living embodiment of Bohemianism and sophistication that I think most people would love to have in their lives. Not to mention, Tilda Swinton strikes me as all wrong for the part. Swinton is certainly an eccentric personality as attested by her Hefty bag fashion sense on Oscar night, and she leads a rather Bohemian lifestyle as evidenced by her open relationship with both husband and lover. I am pleased that she considers Auntie Mame one of her favorite films, but there is no need for her to reinvent the wheel.

Is there anyone who could bring savvy sophistication like Rosalind Russell, Greer Garson or Angela Lansbury? It's harder to cast the role of Mame because the character for all it's glorious lines and costumes, is static. Mame never changes, which is essential to her Mary Poppins-esque way of popping in and out of her nephew's life. The actress who can successfully play Mame should be patrician, open-hearted and sympathetic. It takes more than a good delivery of a zinger to make a Mame.

I would rather sit through the leaden 1974 film version of Mame with Lucille Ball than see the rape of a classic.

What's My Line: Greer Garson as Mame

Most people identify the role of Auntie Mame with either Rosalind Russell or Angela Lansbury (and the occasional philistine will mention Lucille Ball). However, there were three notable actresses who played the part in the original Broadway production of the play. Russell opened the show to rave reviews and she was the toast of the town for over a year. When Russell departed the NY production to make the film version of Auntie Mame, her replacement was none other than Oscar-winning British actress Greer Garson, in her one and only appearance on Broadway (Bea Lillie then took over for the last four weeks of the NY run before opening the play in London). During Ms. Garson's stay at the Broadhurst Theatre, she made an appearance my youtube obsession "What's My Line?" all dolled up as Mame, complete with cigarette holder. The actress, who seemed to channel Garbo in her answers, proceeded to stump the entire panel including guest Orson Welles. Enjoy.

Original Cast Album: "Mame"

Was introduced to Bleecker Bob's yesterday afternoon by SarahB. While down to catch the Fringe production of How Now Dow Jones, we found ourselves with some time to browse through the cast album bin ($2 special on many popular favorites). As you may recall, I am a huge fan of record shopping. Not only do I enjoy the browsing, but I am always excited at the potential of finding a forgotten gem. I picked up Ballroom, Shenandoah, Coco, and the original off-Broadway cast of Hair. Now, not only do I like to collect the records, but I also like to play them. I sound older than my 26 years, but there is just something so incredibly satisfying about the sound of the needle hitting the vinyl. So while I played through a few platters, I decided to pop on Mame, just because. What I had never done before was read the back of the sleeve. I discovered here the most amusing artist biographies I think I've ever read and thought I'd share:

ANGELA LANSBURY (Mame) can do anything but wrong. She can be the good girl (The Picture of Dorian Gray), the bad girl (Gaslight), villainous mother (The Manchurian Candidate) or Elizabeth Taylor's sister (National Velvet). Those were films. On stage she has ranged Bert Lahr's farcical playmate in Hotel Paradiso to the dramatic demands of A Taste of Honey. Her previous musical outing, Anyone Can Whistle, proved that she can handle parades and miracles. MAME proves she can handle anything. And not only sing it, dance it and act it, but wear it, too. And beautifully.

JERRY HERMAN (Music and Lyrics) is a blooming Broadway industry. With four previous scores to his credit (two revues, plus Milk and Honey and Hello, Dolly!) he has a Tony Award, a gold record, a Grammy Award, 1964 citation from Variety as both the year's "Best Composer" and "Best Lyricist," and from station WPAT, for the song "Shalom," a Gaslight award (no connection with Miss Lansbury's movie). On top fo this he was chosen one of the Ten Outstanding Young Men by the United States Chamber of Commerce in 1965. Yes, he seems to have the knack of things, all right.

JEROME LAWRENCE and ROBERT E. LEE (Authors) began on Broadway with a musical, Look Ma, I'm Dancin', starring Nancy Walker. But then they wrote a play, called Inherit the Wind, and the success of that classic theater piece kept them thinking in dramatic terms for some time. (Having a work translated into Urdu and Serbo-Croatian and twenty-six other languages can do that). But one of their subsequent plays was a masterful comedy named Auntie Mame from PATRICK DENNIS' brilliantly funny novel. And now, with the musical MAME, they are bringing it all back home.

SYLVIA and JOSEPH HARRIS and ROBERT FRYER and LAWRENCE CARR (Producers) are a kind of musical Quartet. Each comes to production with significant individual credits. Fryer and Carr produced the original Auntie Mame, Desk Set, Advise and Consent and Gwen Verdon's Redhead. Sylvia Harris coproduced Make a Million and Tovarich, and her husband Joseph has conquered virtually every known aspect of theatrical business management. Together the four launched their firstborn, Sweet Charity, and resuscitated not only the old Palace Theatre but an entire New York theatrical season. And here they come again.

GENE SAKS (Director) is a reformed actor. Since his first job as director, Enter Laughing, there's been no time for acting, enviable as his reputation was. In the short time since that smash hit there have been Nobody Loves an Albatross, Generation and Half a Sixpence. In this last he worked with ONNA WHITE, reformed dancer, who has here staged the musical numbers and dances, as she did there. Miss White had previously been applauded for her assignments in The Music Man and Irma La Douce. From the look of it, mutual success makes happy collaborators.

And so we have the Fryer, Carr, Harris, Lansbury, Lawrence, Lee, Herman, Dennis, White, Saks ensemble. Enough to make up one of Mame's posher, more intimate parties. Cheers!

A minor rant on the current DVD re-release of "Auntie Mame"

I had been anticipating 2008 for the plethora of special 50th anniversary editions I expected to be rolling out of the DVD departments. As those who know me at all, they know my DVD collection is akin to the volcano at Kileaua, equally expansive and dangerous. Anyway, I also have this bizarre OCD aversion to the snap case DVD sets. You know the ones I mean. They used to be the rage from Warner Bros and New Line when the technology was new. It was cardboard with a plastic snap on the right side. Anyway, they don't fit comfortably with the regular keepcase (read: plastic) DVD cases that are the general norm. Well, certain titles are reaching their golden celebration this year: the Best Picture winner Gigi, Separate Tables, Auntie Mame, Some Came Running, South Pacific, Cat on a Hot Tin Roof, The Defiant Ones, The Old Man and the Sea, The Big Country, the previously blogged-about Vertigo, Houseboat, Desire Under the Elms, Damn Yankees, Teacher's Pet, Indiscreet, The Young Lions, A Night to Remember, et al.

Anyway, I was looking around on various websites and have come to horrific discovery that Warner Bros will not be releasing a special edition of Auntie Mame on DVD. No. They are reissuing it as a "double feature" paired with The Shop Around the Corner. Now I have nothing against The Shop Around the Corner, it's a delightful romantic comedy directed by Ernst Lubitsch with Jimmy Stewart and Margaret Sullivan and is an earlier adaptation of Parfumerie (which became She Loves Me for Broadway). Now aside from the fact that both films are earlier incarnations of favored 60s musicals, what is the thematic link that requires a release together? It would make more sense if WB release Auntie Mame with Mame and The Shop Around the Corner with In the Good Old Summertime and You've Got Mail (both of which are remakes of the same story owned by the company). I'm disappointed and don't intend on picking up the new release. I don't enjoy my movies clumped together randomly like this. Chalk it up to my OCD.


The good news is, there are plans for 2-disc restored and remastered editions of Gigi, An American in Paris and A Star is Born (Judy Garland's) in the next year or so. And also Blu-Ray editions, too. Oh well. Thus endeth my minor rant...